AVAILABLE FROM APRIL 26th (@ 23 YEARS LOKI FESTIVAL IN BERLIN)
The soul of Eternity has a voice. It has a smile that radiates dreams of ancient origin. Its yawn is vast and perilous: to view it is to sacrifice sanity. Infinite eons have passed through its throat, sometimes latticed with tectonic cosmic rumbles, sometimes threaded with dissonant whispers of devious design. It is a place where Desolation strangles Hope with withered fingers. The soul of Eternity has a voice. It is pure sound convulsion; it is harsh sound vibration. It speaks through Inade. Though its playground is beyond conception, where space and beyond space merge, the foundation for translation is cultivated here, on Earth, by the Masters of Dark Ambient, Inade. Audio Mythology II collects more loose strands and bleak, back-alley diversions, and gives them life. This is the breath of lost souls as they sigh, of shadows as they break into song, of unimaginable gods as they murmur and scheme. The saga of Sonic Pioneers continues with the second part of the collection from the archive of INADE´s sound work. This release focusses on re-structured session material (1997-2011), V.A. compilation tracks (2006-2009, partly re-worked) and finalised studio recordings of live backing tracks (2012-2013).
Available as limited vinyl edition with a different track order and mixing. The Cd will be included as well in slip case with the vinyl. Edition of 300 copies.
The regular and unlimited CD-edition comes in jewel case and 16-pg booklet. Mastered by Andreas Wahnmann/SECRETLAB.
The God´s Script
The Collission of Conscience
The Revelation Lies Hidden
Virescit Volnere Virtus
A Symmetric Dream
Three Million Minds
INADE AUDIO MYTHOLOGY II TRAILER:
23YLOKI TICKETS AVAILABLE NOW:
# After show party by DEATH # DISCO DJs: Ian P. Christ + Philipp Strobel http://www.death-disco.de/
# Date: 26.04.2014 Venue: URBAN SPREE GALLERY, REVALER STRAßE 99, 10245 BERLIN, GERMANY Doors open: 6.45 PM Start: 7.20 PM
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The new album of Andrew Lagowski’s S.E.T.I. begins as a colossal sound wall, like a massive electrical transformer, out of which analogue and digital synthesizer sounds and samples emerge, condense, and crossfade into a deep ambient symphony. The recordings and textures produced over 30 years from 1983-2013 converge in ‘Final Trajectory’ to produce a collection of monolithic sounds. Invoking a sense of immensity with warm and dark atmospheric loops sounding distant and abandoned in a vast wilderness, battling against galactic winds. S.E.T.I. sets the listener down in this wilderness as an isolated observer; a witness to long intertwining drones, shattered dialogue and broken transmissions, with superior effects chains and a gentle rising dramaturgy forcing the complete album to an astonishing pure data vortex.
As the Voyager spacecraft reaches the outer edge of our Solar System it is a fitting time to imagine the exodus from Earth of the last human being on their final trajectory towards an unknown future. There has been little effort made to prepare psychologically for this one way trip and hallucinatory voices and sounds flit around the traveller, mingling with those of the craft’s entertainment, propulsion and life support systems. Life memories, encounters and events break through the cracks of rational thought like dream fragments, in bursts of barely unrecognisable data. As the craft passes through the mid point of our planetary system on its way out, the occupant thinks they hear a message being transmitted from Earth on the permanently scanning radio receiver.….
Will this be real in our lifetimes? Is the craft being built already in the knowledge that we have little time left on this planet?
If so, where to next?
Released in 6-panel digifile.
Tracklist: 1. Final Trajectory 58:00
Inspired by Cormac Mc Carthy´s novel ‘The Road’, the two Norwegian masterminds Haerleif Langas and Jan Roger Petterson joined forces to create this stunning split album. This release brings finally new recordings since Northaunt´s ‘Horizon’ from 2006 and Svartsinn´s ‘Elegies for the End’ from 2009 (both CDs released on Cyclic Law).
‘The Borrowed World’ is the soundtrack for a world in decay, directed by the emotive and grandly melancholic signature of both projects. This is isolationist ambient music that unfolds its meditative atmosphere with majestic and melodic waves of droning sounds, environmental field recordings from the icy landscapes of the deepest North and magnificent Cello recordings of Amund Ulvestad.
The ashes of the late world carried on the bleak and temporal winds to and fro in the void. Carried forth and scattered and carried forth again. Everything uncoupled from it’s shoring. Unsupported in the ashen air. Sustained by a breath, trembling and brief. If only my heart were stone.
The vinyl version comes in gatefold cover and includes the CD as well in slip case. Limited to 300 copies. The regular CD edition comes in 6-panel digifile.
1. ’If Only My Heart Were Stone.’ Music by Northaunt. Recorded Jan.2011 – Sept.2013.
2. ‘Ashes Of The Late World.’ Music by Svartsinn. Cello by Amund Ulvestad. Recorded Nov.2010 – Oct.2013.
BAD SECTOR & INADE Live in Leipzig, December 14th:
Originally released in 2005 as a limited CD and CD/MCD edition which has long since sold out. Now available again – remastered and expanded! The 2xCD box includes the original album and the MCD with five extra tracks, which turns the second disc into an additional full length release. Includes 12-page booklet.
In BAD SECTOR’s 20 years of existence Massimo Magrini has developed a sound aesthetic of harmonious sonic drones that marked its beginning with the first album AMPOS in 1995. Many releases and a decade later the ground breaking work KOSMODROM was published and sold out within a few months. Dedicated to Konstantin Tsiolkovsky, the Russian pioneer of astronautic theory, the key element in BAD SECTOR´s music (bringing together science and sound) was brought into the foreground with this release. Original Soviet sound devices like the Aelita synthesizer and the electro-optical ANS (which Coil also worked with) were mixed with heavily processed sources from space missions, adding an unearthly human dialogue to the electronics. The sounds on KOSMODROM are deep and droning, pulsating and constantly flowing with processed rhythmic sequences, supported by a bed of radio signal recordings. A timeless masterpiece of deep ambient electronica!
CD ONE 01 energiya 02 telemetry 03 june 16, 1963 04 baikonur 05 extravehicular 06 vjezna 07 orbiter 08 beacon 09 april 12, 1961 10 kosmos
CD TWO 01 oktober 4, 1957 02 extravehicular 2 03 cosmos 69 04 plesetsk 05 almaz 06 zvezdi 07 kapustin yar 08 tchaika 09 extravehicular 3